Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Dec 5, 2024 | Sotheby's | London | Old Master & 19th Century Paintings Day Auction | 160 | $****** - ****** | Venus reclining in an arcadian landscape with two doves |
paintings
95.9 x 132.4 cm (37.75 x 52.13 in)
oil on canvas
With Trafalgar Galleries, London, by 1976;
Thence by descent to the present owner.
London, Trafalgar Galleries, In the Light of Caravaggio , 1976, no. 4 (as Giacomo Galli, known as Spadarino).
B. Cohen, In the Light of Caravaggio , exh. cat., London 1976, pp. 13-16, no. 4, reproduced in colour (as Giacomo Galli, known as Spadarino);
B. Llewellyn and C. McCorquodale, "In the Light of Caravaggio", in The Connoisseur , 192, June 1976, p. 11, reproduced fig. 3 (as Giacomo Galli, known as Spadarino);
A. Busiri Vici, "Altri inediti dello Spadarino", in Antologia di Belle Arti , 4, December 1977, pp. 343-46, reproduced fig. 2 (as Giacomo Galli, known as Spadarino);
M. Marini, "Caravaggio e il naturalismo internazionale", in Storia dell"arte italiana , vol. 6, Turin 1979, p. 370, no. 305, reproduced (as Giovanni Antonio Galli, known as Spadarino);
E. Giffi, "Per lo Spadarino", in Prospettiva , 50, July 1987, p. 81 n. 43 (as Giovanni Antonio Galli, known as Spadarino);
M Pulini, "La passiflora di Michele Desubleo", in Accademia Clementina , 35-36, 1995-1996, pp. 107-9, reproduced fig. 93 (as follower of Michele Desubleo);
R. Randolfi, "Ritrovamenti documentari per Giovanni Antonio Galli detto lo Spadarino", in Studi di Storia dell"Arte , 10, 1999, pp. 76 and 80 n. 51 (as Giovanni Antonio Galli, known as Spadarino);
A. Cottino, Michele Desubleo , Soncino 2001, p. 136, listed under no. 25 (as follower of Michele Desubleo);
G. Papi, Spadarino , Soncino 2003, pp. 27 and 41 nn. 77 and 78 (as follower of Michele Desubleo);
J.T. Spike, "Spadarino Problems", in Studi di Storia dell"Arte , 16, 2005, pp. 255-56 and 258, reproduced fig. 1 (as Giovanni Antonio Galli, known as Spadarino);
M. Pulini, "Le due Veneri di Reynaud Levieux, artista prossimo a Desubleo", in Storia dell"arte , 132, 2012, pp. 82-94, reproduced in colour fig. 1 (as Reynaud Levieux).
The Property of a Lady
Roman School, 17th century
Venus reclining in an arcadian landscape with two doves
oil on canvas
unframed: 95.7 x 132.5 cm.; 37¾ x 52⅛ in.
framed: 115.8 x 153.1 cm.; 45⅝ x 60¼ in.